Simulation Towards Immortality In A Group Chat - Chapter 1073 - 279 The Ninth Seven-Color Talent

A modern university graduate, traversing the window between two worlds, steals a celestial cultivation opportunity that originally did not belong to him. And this celestial technique, quite unorthodox...My credibility should be assured. In order to be responsible to the readers, I must earnestly remind you: my book is easy to linger on in your thoughts, so proceed with caution.

Takebayashi Ryouma, a 39 years old man with hidden past, found himself in a strange white room. The gods tell him that he has died and that they are sending his soul to a different world, a world where magic exists. After living alone for 3 years, his gamer soul loses its common sense and starts along crazy routes.

During the day, she was his secretary, working very hard with excellent abilities. At night, she was his bedmate, trying her best to please him, and the two of them were very harmonious in bed. One day, this relationship was on the verge of ending. However, both of them had already become deeply involved and had grown accustomed to each other's presence, falling in love with each other. So...

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.