Theatrical Regression Life - Chapter 82

As tragedy befalls Xin Siyue, she soon finds herself transmigrated into a novel world as a character. To her disappointment, she became the villainess who obsessively chased after the male protagonist while scheming to tear apart his relationship with his beloved.

To avoid her death route, Xin Siyue carefully avoided the male and female protagonists at every turn. Instead, she went off on her own to enjoy life. But somewhere along the way, she made a mistake– the male protagonist took notice of her!

Xin Siyue’s eyes teared up as she was being kissed in Chen Sinan’s arms. ‘No! This wasn’t in the plot!’

Die in Water and Revive in Fire Ji Hanyue was born of a general.

On the evening when she married the Crown Prince, she was framed and pushed into a lake. Before she died, she was told that both her father and sister had been murdered.

When she woke up in a fire, she found herself reincarnated as her cousin Qu Moying, a blind daughter of the Vice Minister of Works.

With a hateful stepmother and sister, the poor girl lived in forsaken circumstances and used to be timid and isolated.

The fire gave Ji Hanyue a new life and changed Qu Moying’s life.

The vengeance started. In the previous life, Ji Hanyue married the Crown Prince, while in this one, she took the fancy of his uncle.

What kind of marriage was waiting for her?

Dear readers! Fresh green style, maybe you will like it more in .

Mathew survived the entire two weeks of the apocalypse. A great score for someone blessed with brains over the brawn. Yet, even he fell after just fourteen days, giving his all to save the one person he cared for.

But why does a death looks like watching himself from the third person perspective? Is this the purgatory to watch over his own shoulders at the mistakes he made? A punishment for Mathew's sins to repeat those mistakes over and over again?

But wait, what are the three clocks in the corner of his vision, one of which only five minutes away from ticking out?