Quills: the Rise of the Northern Matriarch - Chapter 81: Dreams 2

Tong, a sinner who was suffering endless torment in hell because of his mistake he had done in his previous life, was giving other chance to redeem himself by the devil.

System: Host, what is that thing in the sky?

Shi Sheng: An intergalactic spaceship.

System: …This is a cultivation world, where did an intergalactic spaceship come from?!

—

System: Host, what are you holding in your hand?

Shi Sheng: Xuanyuan Sword.

System: This is an advanced scientific world, where did an ancient divine sword come from?! Wait a moment… Host what are you doing?! Σ(°△°|||)︴

Shi Sheng: Breaking apart the main couple. ヾ(^▽^*)))

#MyHostIsTooPowerfulAndLikesToBreakShips#

Note : ‘shipping’ is the term people use when they want two people to be a couple.

The end of the world is full of crises, but Su Chen says not to worry because he has the Red Alert System. That’s how confident he is. You say you have a lot of weapons? Sorry, I have more weapons than I can use here. Let me introduce you to the weather control device. You say the mutant beasts are very powerful? No problem, I have a way to deal with them…

On an apparent normal Sunday, Luke suddenly woke up after hearing a voice warning him of something weird. After assuming that it was just a bizarre dream, he felt an earthquake that nearly destroyed his dormitory. As if things weren't odd enough, a zombie suddenly appears in his room and targets him.Somehow, Luke survived several encounters against the zombies thanks to his skill Weapon Augmentation, but then he suddenly finds a mini-sized elf and a mini-sized dark elf telling him that they want to help.After a stranger offer, Luke learns that something very big is happening with the planet, and now he will have to find the strength to fight against zombies and all kinds of weird creatures that want his neck... he will do all that while avoiding being tempted by those two very suspicious elves.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.