HUNTED - Chapter 385: The Lost Hybrid (2)

In a certain empire, a young prince was born with a golden pickaxe. It should have been seen as a miracle or a blessing, but instead, the emperor wanted nothing to do with the child. He refused to accept a prince blessed with what he considered a commoner’s job, fearing it would taint his royal bloodline.Abandoned by his own parents, the young boy, Shennong, was taken in by a succubus.But neither the succubus nor the emperor knew the truth about him—Shennong was no ordinary child. He was a reincarnator.This is the story of how the world of Matay reacts to the birth of the first Sandboxer, a class unknown to many. Will Shennong forgive those who abandoned him? What was the purpose of his reincarnation in this world? What is the true nature of the golden pickaxe, and what does it mean for Shennong?One thing is certain—Shennong is not alone in this world because he had a true sandbox system and people to support him even in this world.Join him and experience a true sandbox adventure!

A woman from ancient times falls in love with her soulmate.

[Female Protagonist Synopsis]:Mia Ginger experienced a trial marriage.Before the trial marriage--Dad said: “Koa Jackson is a postdoctoral fellow, watch your words and deeds.”Mom said: “Since you don't like him anyway, why not let your sister have him.”Brother said: “Shameless, stealing big sister's beloved.”Sister said: “Why didn't you come back a month later!”Mia Ginger didn't understand, she was already seventeen years late, late enough that the whole Ginger Family completely forgot her existence, late enough that the adopted sister occupied seventeen years of affection, late enough that the man she was betrothed to almost became someone else's groom, how much later should she be?Mia Ginger curved her lips: “Grandpa Jackson, I will strive to be worthy of Brother Jackson.”She thought it was out of spite, unaware that upon meeting him again, she discovered he was the big brother lingering in her heart for nearly ten years.At two years old, she got lost, falling from a Rich Family's Daughter to a street beggar, picked up and raised by a masseuse for seventeen years, and upon returning home, she was determined to become the first socialite in upper-class society.[Male Protagonist Synopsis]He is Koa Jackson, the third son of the Jackson Family, elegant and upright, with outstanding looks, the youngest neurosurgery professor in the domestic medical field, known by all.Simply because, at twenty-seven, he remains single.All young ladies want to marry into the Jackson Family, unaware the nobleman was betrothed since birth.In his entire life, he need only remain pure, waiting for one girl to grow up.Before the trial marriage, Koa Jackson had seen his future bride twice.The first time, he was eight, she was eight months. He stood by the bed watching her crawl with her little bottom, finding it amusing, he wrote his name on her sole and said with a smile: “Brother will stamp you.”The second time, he was eighteen, she was ten. He stood by the road watching her sneakily stealing, feeling pity, he took her hand and gave her a hundred yuan, helplessly saying: “Not stealing is a good child.”He's always remembered the first time, long forgotten the second.Unexpectedly, the little girl whose foot he tickled at home always regarded the second time as her life's salvation.[He couldn't partake in her turbulent past, but wholeheartedly takes on her prosperous future; companionship is the most touching confession.]

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.