Bringing The Farm To Live In Another World - Chapter 2220: Joining The Blood Knife Gang

A 24-year-old woman traveled to the novel world due to a plane crash. She takes over the body of a cannon fodder who bears the same name as her. She traveled to a time when everything was scarce. The moment she opened her eyes, she was told that in two months, she would marry a lame man.Flustered girl : “Why didn't anyone tell me that my fiancé is so good-looking?”Proud fiancé : “Baby, I'm glad you like my face and body. Shall I warm your bed now?”Confused girl : “Didn't they say you are a cripple? How can you move so vigorously?”Vigorous husband : “Where did you hear such rumors? It seems that I need to prove myself to you.”Shy girl : “So shameless...”

When Simon dies, it turns out there's more to combat than lightning reflexes with his controller, and the path to becoming a hero is more brutal than he can imagine as he descends into The Pit. Death after Death is a dark, time loop/Isesaki story with roguelike elements, that explores some of the common tropes in a different light.

“Martial Arts World...” Death murmured, shocked by the turn of the events. How could he, primordial being of the afterlife, get tricked by a mere human? Not just a mere human, but also earthling, race that was weakest of the twenty realms. Death realized the extent of his mistake. An earthling had just jumped into the river of the reincarnation, where he definitely didn’t belong. It was too late. The damage has been done. The matter was now out of his hands. “Kiernan Hunter...” ... Remake of the Martial Arts System, and while the concept stays the same, the story is completely different. A few names, etc, stays the same, but mostly whole new story.

The plague of insects descended overnight. As an ordinary person without invincible powers and extraordinary exercises, facing blood and death, what should we do at the critical moment of life and death?

(I am a reasonable party, but the novel needs appropriate YY, please do not excessively investigate the rationality of the background in a razor-sharp way.)

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